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ISSN  1037-2660
Issue No 51 - June 1999

Bi-monthly Magazine of Folk Dance Australia Inc
INDEX
President's Report Armenia Folk on the Web
Coming Events International Events Resources
FDA Contacts What's on Where Diary Dates


F
D
A
Folk Dance Australia

  FDA OBJECTIVES:

  • to promote an understanding and mutual respect for all ethnic groups living in Australia;
  • to help promote folk dance in Australia;
  • to encourage and develop the skills of folk dance teachers, by providing courses and workshops;
  • to serve as a folk dance information network.

JJJJJJJJJJJ

Welcome to New Members
Rae Marnham, of Henley Beach, SA
Barb Scott, for Kavalcade of Melbourne, VIC


JJJJJJJJJJJ


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-PAGE 4-

HAIL, SEDENKA!

Sedenka has a new location. The Paddington hall, home of Sedenka for many years, was so badly damaged by the hail storm which hit Sydney recently that Sedenka has been forced to relocate. Those intrepid folk dancers are now meeting at the Rozelle Neighbourhood Centre, 665/A Darling St, Rozelle (close to the Victoria St intersection). The time (8 pm to 11 pm every Friday) and the cost ($6) have not changed.

For more information, please contact Chris on 02 9560 2910 after 5 pm.

A Step in Time (don't look at your digital!)

anticlockwise

  1. The direction faced while standing with the left shoulder towards the centre of the dancing area. Often notated as facing line of dance (LOD).
  2. direction turned when making a continuous left turn.
clockwise
  1. direction faced while standing with the right shoulder towards the centre of the dancing area. This is often notated as facing reverse line of dance (RLOD).
  2. direction turned when making a continuous right turn.
Extract from: Dance Terms - A Glossary for Folk Dancers in Australia", James A. Battisson.

LIFE

Written by a person serving a 14 month jail sentence.
    Look to this day, for it is life
    the very life of life; in its brief course
    lie all the realities and truths of existence.
    The bliss of growth
    the splendour of action
    the glory of power.
    For yesterday is but a dream
    and tomorrow is only a vision
    but today, well lived
    makes every yesterday a dream of happiness
    and every tomorrow a vision of hope.
    Look well, therefore, to this day.

Reprinted from Anthroposophical Society in Aust, Newsletter 3, Mar 99, page 4.

The Perfect Folk Dance Teacher!

by Sharyn Grant

The Perfect Folk Dance Teacher always starts classes on time;
The Perfect Folk Dance Teacher creates an opportunity for pupils to chat at the beginning of classes.

The Perfect Folk Dance Teacher teaches in an attractive, well-ventilated area with even wooden floors;
The Perfect Folk Dance Teacher keeps costs to pupils down by using low-priced premises.

The Perfect Folk Dance Teacher advertises her classes clearly and accurately;
The Perfect Folk Dance Teacher varies the programme to suit whoever turns up.

The Perfect Folk Dance Teacher wears bright attractive clothing;
The Perfect Folk Dance Teacher dresses so as not to distract attention from her teaching.

The Perfect Folk Dance Teacher cues all tapes ready for class;
The Perfect Folk Dance Teacher encourages spontaneity by asking for requests of pupils' favourite dances.

The Perfect Folk Dance Teacher teaches carefully and patiently;
The Perfect Folk Dance Teacher keeps the pace moving to hold pupils' attention.

The Perfect Folk Dance Teacher accurately imparts knowledge of style and encourages proper use of this knowledge;
The Perfect Folk Dance Teacher creates a relaxed, enjoyable atmosphere with a sense of fun.

to be continued

RECREATION INDUSTRY ASSESSOR COURSE

From the competencies that they acquired from attending this course, Christine and Jim Battisson will incorporate the concept of "competency" into the evaluation process for the next TTC. This concept of competency will also assist the TTC assessors to review assessments more efficiently than has previously been carried out.


-PAGE 5-

ARMENIA

Cross-roads of the Caucasus

Armenia map Excerpts from "European Folk Dance", Joan Lawson, (Pitman & Sons, London, 1955)

Lying at the cross-roads of the great trade routes from east to west, Armenia has survived a series of invasions. The original inhabitants of the area, possibly related to the Basque (reputedly the most ancient of European people) were swept by the Turki tribes in 1000 B.C., the Persians under Darius in 520 B.C., and the Romans in the 1st century A.D. Later Armenia became part of the Byzantine Empire (4th century A.D.) and of the Moslem Empire (7th century A.D.). This was followed by invasions of Arabs, the Seljuks, (11th century) which triggered a population movement from Armenia into Byzantine Anatolia. (Incidentally, the presence of Armenian words in all dialects of the European Gypsies shows that they reached the Byzantine Empire from Armenia). Armenia was further invaded by the Mongols (13th century), Turks (16th century), and the Russians (19th century).

In addition to the many changes of rulers, Armenia has also suffered changes of religion, according to the will of their masters. Armenia became Christian, but formed its own particular creed and ritual; even when it became part of the Moslem Empire many of its inhabitants remained faithful to this Armenian Orthodox Church and suffered persecution until Armenia became one of the Soviet Republics. The various religious factions have not suppressed the old folk dances entirely, although in some instances they have successfully altered their original significance.

Armenia has over three hundred dances which depict every change of mood, from the exaltation of the ancient circular rituals to the wild hilarity of the comic dances based on clownish antics and jokes of old men, travellers, and well-known characters like the marriage-broker, whose jerking fingers, meaning nods, and sideways glances are accurate portrayals of such types. There are sad love and mourning dances which are particularly beautiful, or precise, purposeful dances based on military or work processes. The most outstanding of these is the famous Carpet-weaving Dance derived from one of Armenia's most important industries. Here the girls not only depict the actual work process undertaken by the hands, but also mark the carpet's pattern with their feet. The Armenians also perform a number of dances based on natural phenomena. One is the Willow Dance, in which rows of women sway and bend as the willow-trees wave over a brook, and another is a Wind Dance, in which long scarves and arms billow and blow like clouds across the sky.

Because of its turbulent history, many Armenian dances come from other people, such as the Persian War Dance in which one man is hurled through the air like a cannon-ball; this dance dates from the Persian invention of this weapon. There is the Turkish Butchers Dance as well as a Spring Ritual brought by the Turks, and numerous wild Tartar dances. Moreover, many foreign elements have crept into the Armenians' own dances, such as Turkish tunes or Tartar steps in a solemn ritual.

Although couple dances are increasing in number since various work processes are being done by everyone, many dances are circular communal dances, which usually start on the right foot and move counter-clockwise.

The movement within the dance is usually even and smooth, reflecting the erect carriage of horseman. As the dance quickens, dancers look as if they were skimming over the surface. One arm is usually held out to the side, while the other is bent across at chest level (for men) and eye level (for women).

Armenian Dancers The hands, especially for women and with or without a veil, are very carefully poised. For women, the thumb and the first and second fingers are joined in a circle, while the others are held apart; the wrist is turned so that when the arm is curved at eye level, the back of the hand is opposite the face. The man's hands are often clenched at shoulder level, or held with fingers stretched and palms facing the ground. The arms rarely go directly above the head.

The rhythm is usually 2/4 or 6/8, but often the speed of the steps is doubled, while the musician keeps the same tempo. Sometimes, the dancers do not accent the first beat of each bar, but accent their step to coincide with the accent of a word syllable.

Three millennia of history have provided us with a wonderful legacy of Armenian dances (see page 7 for the Armenian Workshop details).


-PAGE 6-


Kitka Design

Affordable Internet Web Site design and creation

Free site hosting arranged if necessary.


phone: 0414 874 649 or
E-mail:  kitka@start.com.au

See the FDA site at
http://www.geocities.com/Vienna/4677/

created by Kitka Design!
(Other URLs available on request)

FOLK ON THE WEB

FDA mail received:

From: rmcdonal@turboweb.net.au

Subject: re fete

We live in Narrabri, north western NSW. We are beginning to plan a fete for March 17th NEXT YEAR and would like to have a St Patrick's Fete. We were wondering if you know of any Irish folk dancing groups that may be in the vicinity that may be interested in performing / demonstrating dances on the evening. Can you suggest anyone to contact ? Any help you could offer would be greatly appreciated.

Thanks, Cheri McDonald.

From: john.whaite@ccmail.wpcorp.com.au

Subject: Baby

Baby To all who may be interested ...

Dinah Harrison and John Whaite have a new baby daughter, Alia, born 9 May at 2pm, weight 4.2 kg (9lb 5oz), length 57cm, head circumference 36 cm, black hair. Her first words were "Aaaagh".

John Whaite

Congratulations, Dinah and John, from all of us. Hop sa sa!

From: Liz Reid, California

Comments: I was disappointed to find that Brisbane only offers two nights of Folk dancing a month, or are there other possibilities? My husband is from Queensland and we plan to live there in the future.


From: David Odenwalder, US

Comments: just checking - looking for, yes, "Aussie" folk dances - there are some, I presume?


From: Oksana Taranenko, Ukraine

Subject: Let's meet

Looking for co-operation in the domain of mass shows, one of the biggest Ukrainian festival management JSC "Tavria Games" would like to introduce itself.

Having 7-years experience of show activity, now we annually hold a number of festivals, concerts and tours. Great parts of it are charity events taking place in outdoor venues and are free for audience.

This year we'd like to open a new initiative - International Folk Festival "Yalta '99" in the city of Yalta at the Black Sea coast, August 18-22, 1999. 5 days of concerts in 5 different venues, big carnival, knights' tournament and Folk Lottery within the Festival terms. Opening Ceremony will take place in a concert hall with a capacity of 3.000, Closing Ceremony - on a big buoyant stage. Folk bands from 25 countries are expected to be participants of Festival events. All the shows will be free for audience.

In view of the above said, in this letter we are seeking for possibility to invite folk bands from your country to "Yalta '99". It can be dance/ singing/ instrumental playing artist or band consisting of no more than 30 members. Show must desirably include (besides the usual program) some national games. We have to admit that we can provide the artists with an accommodation but not with travel expenses. So, return way to Yalta would be appreciated by their cost.

Also, we are really interested in a possibility for Ukrainian folk bands to visit your Festivals. We will be glad to consider every opportunity of starting long fruitful relationships in order to set up and develop cultural links between our countries and promote tourism development. We kindly invite you to visit our site http://tg.kiev.ua for more information about our activities. The aim of our address is to make constant partnership of folk bands exchange. We are looking forward to receiving your reply with your terms and conditions of probable visit.

City of Yalta is known by its venues, beautiful sights and health resorts, promoters - by their professionalism, and Ukrainian audience - by warm hospitality.

Please, contact us by e-mail (as above) or phone: 38 044 274 1744, 274 1751, 274 1753, or fax: 38 044 216 7006

International manager: Oksana Taranenko



-PAGE 10-

Full page graphical ad for FDA Workshop in Indian dance. See Coming Events


-PAGE 11-

Full page application form for FDA Folk Culture Exchange Family Holiday, Bellingen NSW, July 11-18. Contact Chris Green

-PAGE 12-

RESOURCES for SALE by FDA

By Jim Battisson

Book "Glossary of Dance Terms" $15 (P & P) or $12 at workshops, etc.

By André van de Plas:

International Folk Dances for Adults.
Book & cassette.
1989 - 1996 tours $12 each.
1997 & 1998 tours $30 each.
Videos.
1989 - 1998 tours. $35 each.

International Folk Dances for Children.
Book & cassette.
1986, 89, 91, 94 & 97 tours. $35 each.

Videos of Children's Dances:

30 Dances for Primary School age children (8 yrs +)
$40 (postage extra)

Easy Dances
Cassette and booklet $20
Cassette or booklet available separately for $10 each.

By Yves Moreau:

Balkan & International Folk Dances.
Book & cassette. 1993 tour. $30.

‘Ajde Na Horo' 20 Bulgarian Folk Dance Favourites. Recorded in Bulgaria under the supervision of Jaap Leegwater and Yves.

Book & cassette $30.

The above prices include postage.

Nevofoon Resources - Nevofoon Folk Dance resources (CDs, tapes and books) available through FDA's discount service. Contact your Folk Dance group or Kaye for the Nevofoon catalogue .

All resources available through Kaye Laurendet, 127 Woronora Cres, COMO WEST 2226

VIDEO: Greek Dancing with Athan Karras

(A Dancing USA Series Video)

This instructional video, designed to guide you into the world of Greek dancing, will make you realise how quick and easy it is to learn these popular dances including the popular Zorba's dance. Soon you will dance your way into the land of mythology.

For beginners, the video will be a fascinating experience. For those having Greek dance experience, the video will introduce different variations in dances like Syrtos - Hasaposerviko - Hasapiko - Tsamiko - Karsilamas – Zorba.

For information or to order:
R & R VIDEO INTERNATIONAL
3649 Whittier Blvd, Los Angeles, CA 90023
+1 (213) 262-5942 or +1 (818) 609-1386

"Kavalcade" at the National

After a long absence, one of Australia's leading teachers of Macedonian dance appeared at this year's National Folk Festival. Graham Witt has been involved in folk dance since 1979. During 1986-7, Graham performed with the Yugoslav folk dance group 'Jugo Kolo', which he also taught for three months, and the Serbian troupe 'Avala'.

Graham plays traditional dance music, on tapan (Macedonian drum) and tambura (Bulgarian lute). In 1996, he joined forces with three of Australia's top folk musicians: Bill Anderson, one of Australia's finest players of the kaval (Macedonian flute), and multi-instrumentalists Deb Tait - darabuka, accordion - and Barb Scott - tambura, kaval, frula (whistle), gajda (bagpipe). Together, as 'Kavalcade', they not only play clubs and festivals on the folk scene but often perform for the Macedonian and Bulgarian communities. Gigs have included support for visiting Bulgarian artistes Yuri Yunakov and the Bisserov sisters.

At the National this year they presented a Macedonian/Bulgarian dance workshop followed by a Balkan dance at 7:30pm, and a Saturday concert.

kavalcade.gif

MUSIC OF THE BALKANS

DANCES, CONCERTS, FESTIVALS, WORKSHOPS. etc

For further details or bookings,

Phone Barb or Bill (03) 9752 1013 or

email: kavalcade@sba.com.au

Womadelaide '99 CD

A two-CD (for the price of one) souvenir of artists from Womadelaide – Baaba Maal, Marta Sebestyen, Trilok Gurtu, Kila, Yungchen Lhamo, Ernest Ranglin, etc, is available (FESTIVAL D46081) from record shops - especially good for those of us who couldn't experience the real thing.

Why it's Great to be a Male!

You know stuff about cars, tanks and planes.
Your bathroom lines are 80% shorter.
Haircuts are much cheaper
Your last name stays put.
The garage is all yours.
You get extra credit for the slightest act of thoughtfulness.
Everything on your face stays its original colour.
Three pairs of shoes are enough.
Car mechanics tell you the truth.
You don't have to clean the house if somebody's calling in.
You don't have to remember everyone's birthdays or anniversaries.


-Page 13-
FOLK DANCING FOR ALL

Adelaide Trad Dancers logo

ADELAIDE TRADITIONAL DANCERS

Learn dances from many countries in a pleasant, sociable atmosphere with the Adelaide Traditional Dancers.

Mondays, 7 – 10 pm
Norwood RSL Hall, Wood St, Norwood.
Beginners, intermediate, advanced welcome
(Teaching for beginners 7 – 8pm)

WASHING MACHINES & PERFORMANCE!

Excerpt from "Rokdim Yechefim, April 99, Vol. 9, No2. Drawing courtesy of Sasha Ketko.

Wash machine + Kiwi

Over the past few years we have seen a move in New Zealand to create performances that are more interesting to an audience. We have to admit that while the circle dance format is very non-threatening and takes the competitive air out of dancing, for a performance it lacks a certain something. When Ellen Zelcer joined our group some years ago, she enlightened us with the knowledge that the Wellington Jewish Community affectionately referred to us as the "Washing Machines", forever spinning around and showing little but the rears of our carefully made costumes.

This led us to create our first choreographed performance, with small alterations made to great dances to show more faces and fewer backsides. We loved it. The following year we again worked out a programme with careful choreography. This one was another winner, but we hit an unforeseen dilemma: People have lives besides dancing! People came down with various ailments, including birthdays and holidays and our choreography required a certain number of people, most of whom had different parts to play. We regularly found ourselves hiding behind sheds desperately re-rehearsing our parts in new positions.

This year we incorporated our intermediate group into the performance and, on request from some of the group, skipped the choreography. So, we're back to the washing machines, but having a better time.

So the following questions remain unanswered:

  • Is it better to include as many as possible in each performance?
  • Does this encourage the audience to feel "I could do that" and join a group?
  • Is audience participation a good thing?
  • Or should a 'performance' be well choreographed: or done by an 'elite' group?
  • How many have the time and motivation for this?
  • What happens if one of this group can't make it?
We are a Folk Dance Group and never expect to give a "Bolshoi" performance, but we are hoping that others have encountered this challenge and are able to assist us with it.

Yvonne Trask, Editor of the magazine, requested that readers (in NZ) drop her a line. Perhaps Australian readers could contact "Footnotes" (either by post or email) and your comments on performance options will be printed in Footnotes and forwarded to Yvonne. Ed.

SEDENKA

Sedenka.gif
International Folk Dancers

have moved to The Rozelle Neighbourhood Centre,
665a Darling St, Rozelle (near Victoria Rd).

Location map
Bus Routes:500 & 501 (Ryde)
432 (Birchgrove)
433 (Balmain)
When:Every Friday
Time:Teaching & participation 8 – 11 pm
Cost:$6
Enquiries:Chris Wild 02 9560 2910 (after 5pm)


-Page 14-

WHAT'S ON WHERE

International Folk Dancing

FDA CONTACTS

President: Sandra Bassetti , (02) 6552 5142,
23 Fotheringham St, TAREE NSW 2430.

Vice-President: Chris Wild, (02) 9560 2910,
12 Burfitt St, LEICHHARDT 2040

Secretary: Gerda van de Kamp, (02) 9569 7481
58 Gould Ave, PETERSHAM 2049

Treasurer: Deborah Hotchkis, (02) 4294 1363
4 Old Station Rd, HELENSBURGH 2508

Workshop Co-ordinator: Angelika Lange, (02) 9632 3243,
or email: A.Lange@cchs.usyd.edu.au
65 O'Neill St, GUILDFORD 2161

Publicity Officer: Gerda van de Kamp, (02) 9569 7481,
58 Gould Ave, PETERSHAM NSW

Footnotes Editor: Maureen Petherick (02) 4736 3529,
18 Bayley Rd, PENRITH 2750
or email: liz@pnc.com.au


-Page 16-

DATES FOR YOUR DIARY

5 Jun 99

Hungarian Tanchaz, with Gary Dawson and Attila Turcsanyi, 8 pm, Newtown Community Centre, $12. Contact 02 9569 3410 or 02 9787 7115.

6 Jun 99

FDA Indian Folk Dance Workshop, with Rekha Shukla; 10 – 3, The Edge, cnr Bray & King Sts, Newtown South . More details contact Angelika (02) 9632 3243, or email: A.Lange@cchs.usyd.edu.au

6 Jun 99

FDA Committee Meeting, 12 – 1, The Edge, cnr Bray & King Sts, Newtown South

14 Jun 99

2 weeks, The Netherlands & Bulgaria Dance Seminar / Folklore tour, with Jaap Leegwater & Nina Kavardjikova, 2214 Gateway Oaks Drive, #370, Sacramento CA 95833-3207, USA.

27 Jun 99

1 week, Australian Youth Dance Festival, Townsville, contact (02) 6248 8992 or email: : ausdance.national@anu.edu.au, web: http://sunsite.anu.edu.au/ausdance

1 Jul 99

4 days, Balkan Festival, Zetten, Netherlands, contact Silviu Ciuciumis on +31–10– 421 8622, or write to Aarhuispad 22, 3067 PR Rotterdam, Netherlands.

4 Jul 99

FDA Armenian Workshop,with Alla Darbinian, 10 – 3, The Edge, cnr Bray & King Sts, Newtown South. More details contact Angelika (02) 9632 3243, or email: A.Lange@cchs.usyd.edu.au

11 Jul 99

One week, Inaugural FDA Family Folk Camp, in Bellingen Show Ground, northern NSW, Chris Green, 02 9749 1968, green.chris@bigpond.com or Diann 02 6655 0201, mparker@midcoast.com.au

12 Jul 99

2 weeks, MAZOXI, Greek / Cretan Folk-Dance Seminar, contact Athan Karras 19300 Palomar Place, Tarzana, California 91356-4409 USA Tel/Fax: (818) 609-1386 email: Xasapiko@aol.com

17 Jul 99

One or two weeks, BalkanFolk '99, Pamporovo, Bulgaria, contact Rae Marnham on Tel. (08) 8356-2172 or email: rmarnham@denr.sa.gov.au or SC ZORNITSA on (+359 2) 322 010, 334150 or email: seminar@balkanfolk.com

23 Jul 99

2 and a half days, Bowral Weekend Workshop with André van de Plas. Contact Kaye: 02 9528 4813, or watch for the brochure at your local folk dance group.

25 Jul 99

1 week, either week beg 25 Jul or week beg 1 Aug, 52nd Stockton Folk Dance Camp, California, write to Bruce Mitchell, Director, Stockton Folk Dance Camp, University of the Pacific, Stockton, CA 95211 or email: dancebruce@aol.com

26 Jul 99

CIFDA Evening Workshop, with André van de Plas, 8 pm, Hughes Community Centre, Hughes. For more information, contact Shannon, 02 6287 2525

28 Jul 99

School Teachers Folk Dance Workshop, André van de Plas, 4 pm – 6.30 pm. Contact Kaye, 02 9528 4813, for finalised details.

29 Jul 99

2 weeks, Romanian Tour to Radauti, contact Silviu Ciuciumis on +31 10 421 8622, or write to Aarhuispad 22, 3067 PR Rotterdam, Netherlands

31 Jul 99

1 week, Summer Folk Dance Week '99, Prague and Slovakia, contact Dvorana, Spanielova 38/1275, 163 00 Praha 6, Czech Republic, or phone (+420-2) 301 8267, or email: dvorana@mbox.vol.cz

3 Aug 99

10 days, Koprivstica Bulgarian Seminar with Stefan Vaglarov, contact Margaret on 02 6281 3150 or write to her at 24 Harpur Pl, GARRAN. 2605.

24 Sep 99

9 days, 10th Biennial International Eisteddfod, Roodepoort, South Africa, contact International Eisteddfod '99, PO Box 738, Roodepoort 1725, South Africa.

22 Oct 99

Weekend, ‘99 Machol Pacifica Israeli Folk Dance Weekend, Palmerston North, New Zealand, with Shlomo Maman; contact to W. Brown, phone (NZ) 06 329 6723.

ADVERTISING IN FOOTNOTES

Full page $40.00 20% discount for members. Other sizes are available on a pro-rata basis. Anyone wishing to advertise in Footnotes please contact the Editor on 02 4724 0837 or email: liz@pnc.com.au

vClosing Date for the next issue:v

Please send articles for the June issue to:-

The Editor, "Footnotes", 18 Bayley Rd, PENRITH 2750, by 15 July, 1999 or email liz@pnc.com.au

?** The views expressed in this magazine are those of the authors and do not necessarily reflect the views of FDA.**

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