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With the year rushing to its close, it's amazing to look back at all the dance events that have taken place over that time, and wonderful to have such a variety in styles and cultures available to us. It was fun to catch up with FDA members and friends at Keklik Aile's dance in Paddington (Sydney) in October and follow this up with Yorgo's Macedonian Workshop of inspiring dances. Despite his frantic trip back to Sydney from a wedding in Melbourne, no sleep and teaching us all day at the workshop, Yorgo was still able to expertly and energetically share his joy of Macedonian dance with us. Thanks, Yorgo! Reports of the Serbian Folk Ensemble's performances in Sydney have been glowing, as were those of the Whirling Dervishes'. It's so good they are able to demonstrate their history and culture to us, retaining their traditional styles. We attended the Port Macquarie performance of the Ukrainian Cossacks, which was very polished and professional. Costumes were fantastic with more modern influences interspersed between items of very traditional origins. Comedy featured in an expert whistling dialogue by three dancers, and whip-cracking and sword-swinging items impressed the audience, especially the youngsters. Also, our local group, Lazarka, created interest and participation, performing and teaching in a shaded garden area of Cassegrain's vineyard at their Harvest Picnic and Cultural Festival in Port Macquarie. We could almost imagine being in Europe with rose gardens, grapevines and waterways close by! Wishing everyone a joyful and festive season - and - keep an eye out for lots of exciting dancing planned for the New Year. Jenny Lester, FDA President
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FDA MACEDONIAN WORKSHOP with YORGO For someone who'd been celebrating all night at a relative's Macedonian wedding in Melbourne, Yorgo Kaporis was incredibly animated throughout the four or more hours of the 12th October workshop, which makes me ponder the question of what he's like on a normal day. His energetic performances and infectious enthusiasm for dance stood out in what was a most enjoyable experience. Yorgo started by asking if there were any beginners present and appeared happy to accommodate the necessary slowing of teaching that my presence required. I seemed to be the only first-timer amongst the thirty or so participants. Not surprisingly, I suffered from both information and dance overload throughout the workshop and so cannot remember even the names of the dances, let alone any of the steps. However I enjoyed the dancing and the many anecdotes, which Yorgo provided as part of the background to each dance, especially those that related to differences between the villages on either side of the regional borders between modern Greece and the former Yugoslav Republic of Macedonia. Yorgo provided numerous personal touches to his explanations with references to his visits to the particular region or the stylistic differences that he had observed amongst the wedding guests. It seems that either the bride or groom was originally from Greek Macedonia, whilst the other came from the Yugoslavian side of the region. As a choreographer as well as a teacher, Yorgo often injected his own variations into the dances that he taught. Since I am a complete novice, I found that rather a nice touch, particularly when he pointed out that some traditional dances would otherwise repeat the same pattern for quite a long time. continued top of next column => |
... continued from previous column Naturally some of the more advanced dances were completely beyond my ability to learn, but I was pleasantly surprised at how many of them were not. The workshop was very well organised and thoroughly enjoyed by everyone with whom I spoke afterwards. I have no hesitation in commending any similarly focused workshop of Yorgo's to dancers of all levels. ? Griff Rose (ACT) ANDRÉ'S 20th ANNIVERSARY VISIT – 2004 We know that FDA has many creative, artistic members. To help celebrate Andre's 20th anniversary visit to Australia next year, ADVP World are asking you to design the cover of his dance instruction booklet for 2004. There will be a small prize for the cover chosen! Please email or post any ideas to Kaye Laurendet, 127 Woronora Cres, COMO WEST, NSW, 2226 before 1 March, 2004. Review of ANDRÉ'S 2003 VISIT TO PERTH. André was whisked in and out of Perth again in July this year in a flurry of new dances and to the delight of his Western Australian followers. Thanks to PIFDG and Eve Blair for hosting André and to committee members involved in decorating St Margaret's hall in the theme of international hats and scarves that gave the workshops some ethnic ambience to suit the occasion. André presented to us during the weekend dances from Serbia, Romania, Turkey, the Czech Republic, Israel, Bulgaria, the UK and other countries. Some dances, like Koce Berberot with its catchy tune and funny song about a Macedonian barber/musician and the Turkish Esmer, have been danced weekly ever since July. The graceful arm movements of the Armenian dance Yaman Yar made it instantly attractive to us, although they presented some challenge at first when combined with the footwork. The two Israeli favourites were Chopi and SloshaTranim and Sarah, our Israeli dance teacher extraordinaire, helped us with the translations of the beautiful poetry which had been made into the song for the Slosha Tranim dance. We all loved Alunelul de la Godenesti from Romania and can add that to our list of Aluneluls that we already dance on Monday nights. The PIFDG Saturday morning class has been dancing the English dance Heads or Tails since André's visit. This is a great dance for a large group. In the typical style of English folk dances, each figure runs very smoothly into the next, and its racy rhythm just beckons one to dance. The Saturday night being close to Bastille Day was the perfect opportunity to have a celebratory dance. André and all the workshop participants enjoyed the music of 'The Last Five Coins' as we danced some of André's old dances along with some French favourites and other dances we love to do with the band. It was also our turn to teach André some dances! We anticipate André will be back for more and we look forward to his next visit, which, if I remember rightly, will be a milestone visit to Australia. ? Laurel de Vietri (WA) |
| FROM OUR ROVING REPORTER This letter from Anna refers to her Christmas, 2002, however, you might be interested to hear a little about customs in Bulgaria through her experiences. This Christmas has been anything but prosaic! The snow had gone from Sofia and I thought a "white Christmas" would be nice, so went to the delightful town of Bansko (pop.9,000), located 160 kms from Sofia at the foot of the Pirin mountains. It's the most recently developed centre for skiing and so does not attract large numbers of foreign tourists but more Bulgarians, this time of year anyway. Bansko was founded in the 10th century and by mid 18th century was very prosperous with traders & merchants; craftsmen & artists; icon painting & wood working schools. The architecture is interesting & many of the National Revival stone and timber buildings were built behind fortress type walls to shield inhabitants from Ottoman occupiers. On Christmas Eve the streets were practically deserted, not surprising as traditionally this is the day for families to gather together and everyone else was on the snowfields. The streets and pavements were very icy but there was snow and I got my "white Christmas." Difficult as it was to walk around, I none-the-less spent much time exploring. In the evening I planned to eat at the small hotel at which I stayed but discovered the mehana in the basement was not, after all, open. Imagine my surprise when the manageress then invited me to dine with her family, and the cook, and a guy who helps out at the hotel! I never cease to be amazed at the warmth of Bulgarian people. There were platters of grapeleaf & rice rolls, cabbage & rice rolls, stuffed capsicums, legumes, sauerkraut, meat & homemade bread. A coin is put inside the bread, whomever gets that will be wealthy the next year! Some people also put inside tiny pieces of a branch from a tree which have been marked, the number of marks signifying luck, love, good health etc. There was wine, and to finish, banitsa, the cheese pastry of which Bulgarians (and I) are so fond. The manageress had pinned pieces of paper rolled around a toothpick, on top, with New Year wishes. It seemed fortuitous that I should pick the piece of banitsa labelled "abroad."! Finally we had the Bulgarian equivalent of baklava – delicious! Uneaten food is left on the table overnight, supposedly for relations who are no longer with us. Just before Christmas I saw many people walking around with small branches from a tree (the same used to put inside the bread). I was told that in some families, popcorn, peppers etc are attached, then the branch is used to "beat" a family member on the back whilst saying "Merry Christmas" and this person in return gives money. Then there are the Koledari (Koleda meaning Christmas), they dress in long woolly cloaks & carry sticks, & go around the houses singing Christmas carols. In return they are given a type of bread in the form of a ring, which is put on the stick. However, 3 young men came to the mehana I was at on Christmas night, and the manager wouldn't let them in; he said they would want money. continued top of next column => | ... continued from previous column On Christmas Day everyone was out and about, and all the shops were open. I went to the Orthodox church (1835), beautiful inside, there were many people coming and going. Six men with magnificent voices sang in perfect harmony, unaccompanied, in amongst the chanting. I stayed a while just to listen to them. I then came across musicians in the square and some gypsies imitating Kuker dance. They had no costumes or masks but did wear the large bells around their waists, and had the sticks, and jumped up and down, warding off evil spirits. The music was great. Another group of musicians walked around the streets, they were also a delight to hear. On Christmas night I went to one of the many mehanas in Bansko. Cosy,
typical restaurants, many of which occupy the 19th century stone and
timber buildings and this time of year, with log fires blazing. This one was
quite small but there were three super musicians, and room enough to dance. They
played only Bulgarian music and when people started dancing Horo, I joined in.
It was a fun evening and just when I was thinking of leaving, the manager arrived
with a glass of wine for me to have "on the house." He was amazed that
someone all the way from Australia could do Bulgarian dances (told me he can't
dance), said he was proud of me and therefore presented me with the wine! So
naturally I stayed longer, danced some more, and left with a wonderful feeling
of well-being, half skating back to the hotel on the icy streets! Anna writes that the festival described below was quite special for her, as it was the first time she'd been 'on tour' with "Zornitsa", in Bulgaria. Saturday 11th October, 2003, dawned bright and sunny, following days of abysmal weather - rain, wind, and snow on Mt. Vitosha. So it was in high spirits that six carloads of "Zornitsa" dancers arrived at Stara Zagora for the Students Folklore Festival. This was the 7th year the Society of Folk Art had organised this festival which aims at preserving Bulgarian culture. The number of participating ensembles (six) was smaller than usual but, never-the-less, the variety of music and dances performed by brilliant groups had such an impact that one was left with the feeling of being transported into another world. Those taking part were: Zornitsa (Student Folklore Ensemble, Sofia); Traiantsi (Folklore Ensemble), Stara Zagora (Folklore Ensemble at the Thracian University), Stara Zagora; (Folklore Ensemble of the Youth Centre, Haskovo); Trakiiska Mladost (Folklore Ensemble at the University of Agriculture, Plovdi), Academic Folklore Ensemble (Main Student Centre, Sofia). Preceding the late afternoon concert there was a "defile" (walking, dancing) through the beautiful tree lined streets of the town to the Municipality Council building, in front of which the concert took place. There was an improvised "stage" which looked lovely, but for dancing? - paving stones and pebbles set in concrete! However, the ever resourceful Bulgarians were not deterred and put as much energy and flair into the performances, as ever. continued next page... => |
| ... continued from previous page The event concluded with many people joining in a Horo. We were all accommodated at the Starazagorski Mineralni Bani on the outskirts of town. Two orchestras played in the restaurant where we dined and danced, one with gaida, kaval, accordion and tapan; the other including a trumpet. This meant non-stop music and dancing for a convivial and lively evening with the other groups. Several people were interviewed by the local radio station, including the Australian. I also met the "Young Mayor" (this being his correct title), who helps organise this event and others concerning young people. Mother Nature was extremely kind and provided another beautiful day on Sunday, which for me finished with a Horo lesson, after a leisurely drive back to Sofia. All in all, a super weekend! Writing from Sofia, she says: "The trees look beautiful with their autumn colours but winter is definitely on the way. However, I'll not be returning to Australia just yet (Ed: she's just been granted a visa for another six months) so perhaps, in time, will be able to send more news to keep you up to date with 'happenings' over here. I'd like to pass on greetings to all Footnotes readers. I wish everyone a very Happy Christmas; good health and happiness in 2004; and I hope everybody continues to revel in the music and dancing available and enjoy it as much as I do. Best wishes and warmest regards." ? Anna Travali (QLD)
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"New Wave" Folkdancing Resources a variety of dances for various ages. Order through Kaye Laurendet, e-mail or 02 9528 4813.
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"Kurdish Earth", recorded and mixed by Blue Mountains Sound and mastered by Soundview Studios, features Veli Toprak (tamburas and vocals) and Andy Busuttil (percussion and wind). The music has its roots in Kurdish culture and has been set to lyrics that are Turkish to reflect the time when Kurdistan extended from Kars in the north-east of Turkey to Urfa in the south-east and south partly into Iraq. In the 1920s, millions of Kurds were dispossessed by European powers and the Treaty of Lausanne (1923). Kurds are still suffering from hostile governments. This CD hopes to influence, even if in a small way, peace between the Kurdish people and their neighbours. Track 1: Odasina Vardım: "She brings me coffee. I see her beautiful hands patterned with henna. She's so beautiful I lose my mind." Track 2: Büyük Çevis – a folk dance from Urzıncan. "I want to meet my darling under the chestnut tree." Track 3: Dergah: an Alevi song from Anatolia. The Alevis hold to a humanistic philosophy that they elevate to the status of deity. "How many people have come here to Dergah, yet they have all gone. Everything they had they couldn't take; they had to leave it all behind. Time changes. It's not like before. Don't be attached to any thing because it all changes. Love for this girl has burnt me, reduced me to ash which she walked on and went away." Track 4: Esti baharin: "I feel the strong winds of spring that brings your voice and your scent to me." Track 5: Sabuha: The Syrianın people (a Christian minority living in the Eastern part of Turkey) have lived together with the Kurds for many years in peace and harmony. A sad song about a girl. Track 6: (Two songs in the medley) Wallahi and Aya bak: "Tell the rooster to shut up and not crow in the morning. I don't want to be disturbed with my girl. Track 7: Potpori : a. Fadile, b. Derdini yar derdini, c. Mendil aldım bir deste, d. Kağızmana ismarladim, e. Temir aga Meanings for the 'potpori' were unavailable, but you can guarantee they are about girls and boys and heartbreak. This wonderful CD can be ordered through Kaye Laurendet, 02 9528 4813, okaye@optusnet.com.au, 127 Woronora Cres, COMO WEST, NSW, 2226, cost $25, plus P&P.
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MANDALA FOLK DANCERS - NAMBOUR Saturday October 4th was a day of big celebrations for the Mandala Folk Dancers from Nambour, as they were celebrating 20 years since the group first began. When Meredyth, Jules and I walked into the Woombye Hall, the first thing we noticed was the colourful decorations. There were photos on the wall from performances and special occasions, showing a variety of costumes. Didn't we all look younger then? A newsletter with the history of the group was compiled and distributed. In the early days of the group a large banner was created - each member of the group creating their own piece of pie to be sewn into a large circle (Mandala). Different modalities were used – appliqué, fabric paint, embroidery and so on. The banner had been revitalised with a little more colour and glitter and looked as good as new. Soon the dancing began and, with Lorraine, Jean, Pat, Meredyth and myself teaching, there was quite a variety of dances. Some of the dances dated back to the early days and those who had been out of the dance group for some years still remembered dances like Miserlou, Tsadik Katamar and King of the Fairies. I taught a couple of dances I learned at Bowral in July and Meredyth taught some learned at the September Victorian Folk Dance workshop. Teachers of the group, past and present, were presented with flowers and certificates of appreciation. Lots of photos were taken. Dancers from Brisinta, Noosa, Nambour, past members of the group and several visitors all danced together happily. During the break there was much chatter and laughter. One again the Nambour group outdid themselves with a wonderful afternoon tea with fruit, dips, cheeses and cakes – no one went hungry. All too soon the afternoon was over and we had to hasten out of the hall as the next occupants wanted to start setting up for their event. A very successful afternoon! Lorraine and other members of the group had gone to a lot of work to ensure the afternoon was a great success. Well done. Only five years until their 25th anniversary. ? Danni Mackenzie (QLD) FOLK DANCE in SOUTHERN HIGHLANDS The group has enjoyed welcoming new dancers this year. There have been ongoing invitations to dance at various Nursing Homes and Hostels, Health Fairs and Seniors events. It has been mutually satisfying for performers and recipients with many surprises taking place. Sometimes when the ladies have seen residents being wheeled into the activities room, they have wondered what the response will be to their performance. Music has enormous power and sometimes we have been overwhelmed with the response it evokes. continued top of next column => |
...continued from left column Tulip Time in Bowral has us as regulars performing in the gardens and, to date, the weather has been good to us. Again the response from visitors is touching, with some identifying with the music from their country of origin. We will be dancing for many a year yet. ? Margaret Connor (NSW) AUDREY'S GROUPS - MELBOURNE For many years now, I have been teaching Folk Dancing to two groups of mainly mature age students, and each one has become a special group of friends. The Centre of Adult Education Group meets in the city on Friday mornings, and by now, their repertoire is quite extensive, and it is easy to teach new dances to them. Newcomers are always welcomed and encouraged by members of the class. We meet after dancing for coffee at a nearby café, and at the end of each term, lunch at our favourite restaurant at South Gate on the Yarra. They love their dancing, and this is why we do it. Yesterday, two of our members remarked, when meeting with same age (non-dancing) friends, found that they themselves were in much better shape and condition. The U3A group is composed of mature-aged students who meet on Mondays. They also have been together for many years. When a recent bout of 'flu laid me low and I came to put the music on while they danced, several said it was a good idea as it made them think rather than follow automatically.
They all enjoyed performing recently at a retirement village; the photo above shows us dressed for the part. We were later treated to a generous afternoon tea! Members of both groups participated in our September FDA weekend workshop. Our motto: "Keep on Dancing till we drop." ? Audrey Shoobridge (VIC)
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| "Around Australia" continued... SOULEIADO DANCE GROUP - PERTH Souleiado, a French Dance group from Perth, with its usual membership of children and adults, has had a year marked by a variety of functions. Our bond with the French community means we are always invited to take part in many of their celebrations. This year's Féte de la Musique was one such event and we had the whole audience up to bourrées, mazurkas and ronds played by The Last Five Coins on their traditional French instruments. Bastille Day of course is always a time to celebrate for us and in 2003 we held a bal folk in corroboration with Perth International Folk Dance Group and the same band. Our usual outings and events included French dance workshops for adults and children at Fairbridge Festival. Many schools around Perth benefited this year from Laurel's teaching of French folk dances to French classes. This year, country schools also were included in the itinerary. This was very rewarding despite the long, long distances to the tiny outback schools. Huguette Roy's visit from France was a highlight of the year as it provided us with a new teacher for 6 weeks and she charmed her way into our hearts and gave us yet another excuse to put on a bal in May. This was open to the public and was a lively family event with great food, drink and French music and dancing until midnight. Souleiado dancers put on an open afternoon mid year and this consisted of dance demonstrations, audience participation dances and a Provencal market set up by members of the group.
The accompanying photo is of a small group of us who performed at the Multicultural Festival in Fremantle alongside many other ethnic groups. This day was organised by University students of Perth and brought us together in a day of music, singing, dance and fine food. So now we look forward to 2004, beginning with "A Day in Brittany", a day of presentations, displays, dance and a Fest Noz (Breton Bal), on February 29th. ? Laurel de Vietri (WA) Laurel will be giving French Dance workshops at the National Festival over Easter, 2004, with The Last Five Coins, so look out for that on the program.
| GREETINGS FROM CIFDA - ACT At the beginning of this year, after moving from Hughes to Yarralumla in May, 2002, CIFDA was relocated to the 'back' hall while the main hall was being renovated. The renovations were completed just in time for the workshop of Romanian Dances taught by May Fanning, held in May 2003 during Dance Week. It was a beautiful, fresh Canberra Autumn morning and, with the extra space, new floor and lots of natural light, the scene was set for a good workout. This workshop was such a great success we followed it up with another one, again presented by Mary, on 29th November, but with more of an emphasis on dances from the Balkans. A well-known Canberra Israeli Dance teacher, Verna Glenn, was also a guest teacher during the year The Belconnen Fruit Markets have built a permanent stage and invited all dance groups to participate in "Dancing in the Piazza" from October to December between 12 noon and 1pm. Eleven CIFDA members took part dancing a mixed bracket of six dances. 2003 will finish up with the Christmas Party, and the New Year will commence with our traditional "Picnic in the Park". ? Carol McNally (ACT) ADELAIDE TRADITIONAL DANCERS During 2003 a small but enthusiastic group of dancers came together every Monday evening to enjoy the music and to perfect the dances from the many countries of our repertoire. We gave special thanks to Michael Taliangis who retired as our Treasurer. Michael had undertaken the role since the inception of the club in 1974. We were especially grateful for his contribution that also included managing the hall security, advocating the club in many forums and most of all leading us in the many Greek dances that we enjoy. We will miss his warmth and friendship. Michael's excellent financial management has always enabled the club to remain financial. However, this year saw our membership fees rise by 50% - still the cheapest recreational activity in Australia, just $3.00 for one hour of teaching and 2 hours of dancing. We are looking forward to 2004 when we will celebrate a special anniversary – 30 years since the club's inception – a celebration yet to be finalized, in fact even designed (probably to occur sometime in March). Past members and interstate friends are encouraged to make contact if interested in being part of this very special event (contact Rae 08 8356 2172). We also look forward to 2005 when Joan Amos, a long standing club member, returns from teaching in London, hopefully having experienced new dances and opportunities that her close contact with Europe – may be even the Balkans – will bring. ? Jillian Blight (SA) |
DECEMBER 03 FOOTNOTES PART TWO
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